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On Food Writing and Interviews with Chefs Masaharu Morimoto, Amanda Cohen and Will Horowitz

copyright Brent Herrig

Chatting with Chef Morimoto at his new Tribeca Canvas, copyright Brent Herrig

I’ve been having a crisis of faith, recently.

Not about this week, with Passover and Easter coming – though there is some angst there that is in tomorrow’s post (lucky you!)

But about the value in what I do.

I write, mostly about food. I interview people and build recipes and am a part of the pop culture world that partly gives me the willies. I was never the one to know what restaurant was hot and worth going to. I’m still not, really, other than that I now know about 50 chefs who are creating amazing food. I don’t like going out to eat to be seen. And did you know that chef groupies are a thing now? Quelle horreur!

I want the work I do to have value. I want to be a part of something because it contributes, because it helps give our world shape, and because it connects people on a visceral level. And while food does that in intimate and beautiful ways, it’s also become such an eye-rolling point of focus in New York that I want to yawn and pour a whiskey and watch Frasier or something.

That is, until I actually sit down and work.

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